# Jan 24, 2017

“As we have already seen in the case of the word free, words which had once borne a heretical meaning were sometimes retained for the sake of convenience, but only with the undesirable meanings purged out of them. Countless other words such as honour, justice, morality, internationalism, democracy, science, and religion had simply ceased to exist. A few blanket words covered them, and, in covering them, abolished them. All words grouping themselves round the concepts of liberty and equality, for instance, were contained in the single word crimethink, while all words grouping themselves round the concepts of objectivity and rationalism were contained in the single word oldthink. Greater precision would have been dangerous.”

George Orwell, 1984

# Jan 22, 2017

“I never thought we’d have a leader with a combover. I always thought people would sense that the combover subject was covered in shame and that his demand for our pity and tact on behalf of protecting his fantasy of self-completion would interfere with the idealizations through which democratic polities still invest leaders with a larger-than-life resonance. But as the current Big Sovereign intends to know nothing about governing, while bargaining and bullying from the throne of gut justice, his higher law is the lower law. He is unafraid of being a cartoon because cartoon characters never die, they keep going long after mere humans would be destroyed. Already an icon recognizable in silhouette, he and his larger-than-life appetite for outsized greatness can then revitalize an “America” that transcends the democracy of the ordinary that is marked by time and the attrition of life, intimacy, and labor. His energy literally gives life to the fantasy of an outsized life, so “tremendous” it can decree democracy at its scale, in its shadow.”

Lauren Berlant, Big Man

# Mar 19, 2016

“By its nature, thinking twists and turns, drifts and meanders. A hunter who followed a bee-line from a point of departure to a predetermined destination would never catch prey. To hunt you have to be alert for clues and ready to follow trails wherever they may lead. Thoughtful writers need to be good hunters.”

Tim Ingold, In Defense of Handwriting

# Nov 30, 2015

“To speak about the performative in relation to art is not about defining a new class of artworks. Rather, it involves outlining a specific level of the production of meaning that basically exists in every artwork, although it is not always consciously shaped or dealt with, namely, its reality-producing dimension. In this sense, a specific methodological orientation goes along with the performative, creating a different perspective on what produces meaning in an artwork. What the notion of the performative brings into perspective is the contingent and elusive realm of impact and effect that art brings about both situationally—that is, in a given spatial and discursive context—and relationally, that is, in relation to a viewer or a public. It recognizes the productive, reality-producing dimension of artworks and brings them into the discourse. Consequently we can ask: What kind of situation does an artwork produce? How does it situate its viewers? What kind of values, conventions, ideologies, and meanings are inscribed into this situation?”

Dorothea von Hantelmann, The Experiential Turn

# Nov 3, 2015

“Play does not only include the logics of the game – it also includes the values of the player. Her politics. Her body. Her social being. Play is a part of her expression, guided through rules, but still free, productive, creative. Without the openness of play, the player cannot express or explore their ethics, their politics. The player may be guided by reason, by the instrument of play, but that does not guarantee, as the fall of modernity and the critique of Enlightenment have shown, that rationality is enough to express politics or ethics.”

Miguel Sicart, Against Procedurally