– Lawrence Halprin, The RSVP Cycles]]>
As entertainment properties become increasingly spatialized and nonlinear, spreading across diverse platforms, contexts, and modes, how might they benefit if the ways in which they are developed were to undergo similar changes? What alternative approaches exist to the traditionally linear and “siloed” processes of conceptualizing and iterating narrative storyworlds? Is it always appropriate that an entertainment property should begin with a book, script, bible, or treatment and only proceed into design and visualization once preproduction is underway? Or could story material be developed in concert with the kinds of research, visualization, fabrication, and contextual exploration typically associated with production design? In short, how can production itself be a part of development? How can design fiction and visual/conceptual “worldbuilding” create the context for story, rather than the other way around?
These and other questions were at the heart of “Imaginary Worlds: Exploring the Unknown,” a panel and two day studio workshop held at Berlinale Talents, the annual summit and networking platform of the Berlin International Film Festival. Using a modified and extended version of the creative process framework developed for the 2015 Science of Fiction conference, our panel and workshop sessions explored new ways of structuring collaborations across media arts disciplines so as to imagine and visualize a fictional storyworld. Over the course of two intensive 4-5 hour sessions, our team, consisting of production designer Alex McDowell, educator and process architect Bruno Setola, transmedia artist Juan Diaz, and myself, led 25 designers, writers, directors, and other invited talents through a creative process exploring and developing the storyworld of Rilao, a fictional island nation in the South Pacific.
The result of this collaboration was five “deep dives” into various eras of Rilao, each illustrated with dozens of designed artifacts, images, place descriptions, characters, and story elements. Each deep dive coalesced around a “central disruptor,” or “story magnet” — a place or situation that participants identified as being especially rich in narrative potential — and radiated outward, bringing together elements of the world’s imagined histories, presents, and futures. Participants developed these elements through the play of an imagination game and the engagement in a secondary process that focused on elaborating upon and finding the connective strands among the diverse ideas generated by the game. As the whirlwind of creation drew to a close, the materials produced by participants were gathered together into an archive which will be integrated into the broader Rilao world-build.
For more on the philosophies behind this process, and how it might relate to emerging methodologies in domains ranging from entertainment development to education and social innovation, please watch our panel, here:
Special thanks to Romke Faber, Florian Weghorn, Andrea Rieder, and all the Talents, without whom none of this could have happened.]]>
Filmmaker John Grierson famously described documentary cinema as “the creative treatment of actuality.” Documentary films can illuminate unseen processes, broaden our awareness of the past and present, and challenge us to make a better future. How might games achieve similar ends? What can interactive media do in the realms of non-fiction, documentary, and activism that other kinds of media cannot? How can we use games and interaction design to not only document the Real, but also to intervene on it, and to shape the world to come?
This course explores the past, present, and future of documentary and activist interactive media and games. Students will approach the topic from a variety of perspectives, drawing on contemporary art practice, cultural studies, game studies, cinema studies, and more. Informed by these historical and theoretical contexts, students will workshop documentary and activist games of their own.
– Augusto Boal, Theatre of the Oppressed]]>
– Jacob Silverman, The Crowdsourcing Scam]]>
– Thomas Wright, An Original Theory Or New Hypothesis of the Universe]]>
Update: These are Arabic-Indic numerals. Identification courtesy Ala’ Diab.]]>
– Phillip D. Deen, Interactivity, Inhabitation, and Pragmatist Aesthetics]]>
The IndieCade Award is a peer-to-peer award-giving game played at the IndieCade International Festival of Independent Games. Designer/game director/all-around-genius Gabe Smedresman describes the game as follows:
The Indiecade Award is a recognition that festival attendees can award to each other for a supportive word in a time of need, a critical donation or piece of advice, or for having created a personally meaningful game or written work.
Volunteers will solicit tweet-length awards and recipient info from attendees each day. During the awards ceremony and festival afternoons, we’ll engrave the awards onto acrylic cubes, locate the recipients, and deliver the awards.
On Sunday, those who have received and given the most awards will be recognized for their positivity and supportiveness.
It was an honor to be a part of pulling together a project like this. Based on the reactions of people who gave or received the awards, I think it accomplished it what it set out to do — that is, “encourage the kind of behavior we want to see [in the games community]: positivity, encouragement, and mutual support” — and then some.
Special thanks to Gabe, Mattie Brice, Crash Space LA, Christina Orcutt, Jessica Escobedo, Chelsea Howe, Laird Melamed, Tracy Fullerton, Peter Brinson, Rob Manuel, Jesse Vigil, Richard Lemarchand, Funomena, Indiecade, Elizabeth Sampat, and all the IndieCade volunteers for making this happen. Looking forward to doing it again next year!]]>
– Wu Ming 1, Confessions of an Aca/Fan]]>
– Elon Musk, Aeon Magazine]]>
– Erving Goffman, The Presentation of Self in Everyday Life]]>
– Aristotle, Nicomachean Ethics Book III]]>
I’m going to keep my remarks short tonight so that you can get on to doing what you came here to do. This is a game jam, not a dentistry conference. If you want to hear more from me, please sign up for one of my classes.
Let me begin by saying thank you to the organizers for asking me to say a few words here at the first MEGA Game Jam of the academic year. And a big thank you to all of you, for coming out. It takes effort to build a community, and you’re putting in that effort right now, and for that, I think you deserve a round of applause.
I’m a big fan of game jams. There’s something about bringing together a bunch of people to play and create that feels like exactly the sort of thing that’s worth celebrating. There are a lot of things in this world that aren’t worth celebrating at all. There is intolerance, injustice, abuse, and tragedy everywhere. But this — this thing that says, “hey, let’s hang out and make some art together” — seems pretty wholly positive to me. If I saw a group of, say, chimpanzees doing something like this, I’d be like, “whoa, that’s some super wholesome chimpanzee action over there.” I’d think: those are some delightful and intelligent creatures. I would be lucky to be able to spend some time with them.
Sadly, the world of games — and it sounds ridiculous to even say this, but unfortunately it’s true — has been a rather scary and unwelcoming place over the past few weeks. I don’t want to feed the trolls too much. But I will say this: the holy war that #GamerGate fanatics have been waging against bloggers, journalists, indie game developers, and academics is more than just a transparent rationalization for misogyny, territorialism, and the willful denial of fundamental facts; it is also, and to me perhaps most objectionably, an insult to all the real problems that plague this problem-plagued world.
Everyone you love, everything you admire, your very self, and every trace of you will one day be gone. There are gangs of heavily-armed brainwashed murderers ramping up a genocide in the Levant. There are thousands — actually, millions — of human beings who must sleep outside on the pavement of the cities we live in. Outside on the pavement — right down the street from here! There are people serving lengthy prison sentences for extremely minor crimes or for crimes they did not commit. There are species of animals disappearing every day. There are people learning that they are dying. There are people learning that the ones they love are dying or dead.
This is the world we live in, no matter how much we may want to pretend it isn’t. Every life and everything ends — and there can be so much shit along the way. And so I find it both bizarre and just devastatingly sad to see that some people can be so wrapped up in bullshit as to think that the most righteous crusade they can embark upon — the best way they can spend their precious time on this planet — involves threatening, sexually harassing, smearing, or otherwise committing acts of physical or psychological violence against writers and artists who have dared to talk about or make games — games, people — in new or different or critical ways.
So I propose we initiate a reboot of the games space tonight. Instead of piling more meanness onto the world, I say we celebrate games and the simple facts of being together and having the good fortune in this moment to not have to run for our lives or face some irreversible loss. I say we have a good fucking time, and do what it takes to make sure as many other people as possible can, too — because that’s the point, isn’t it? I for one can’t have fun if the fun I’m having is ruining someone else’s day. In short, I say we lead by example. I say we remind everyone through what we do here that the thing we can all probably agree on about games is that they’re a way of bringing light into what can be a very, very dark place. Let’s bring that light tonight. Let’s see how brightly it can shine.
Games can be such beautiful things. However temporarily, they can free our spirits from the shackles of confusion, horror, loss, and unfairness that so often tie us down in our everyday lives. They can transport us to other worlds, bring us together, inspire us, thrill us, scare us, make us think, make us cry, make us laugh, give us something to look forward to, give us a moment’s respite, offer us a form of meditation or release, enlighten us, awaken us, teach us, empower us, make us jump up and down, move us to explore and discover, dazzle us, take our breath away, and so, so, much more. That’s what you came here to do. To give those kinds of things to the world. To love, not to hate.
That’s something worth celebrating.
Now go to it.