Flash Robber

Tuesday, in Washington state:

…a brazen crook apparently used a Craigslist ad to hire a dozen unsuspecting decoys to help him make his getaway following a robbery outside a bank on Tuesday… [Apparently,] the robber had planned ahead. In case anyone was hot on his trail, he had at least a dozen unsuspecting decoys waiting nearby, which he recruited on Craigslist.

"I came across the ad that was for a prevailing wage job for $28.50 an hour," said Mike, who saw a Craigslist ad last week looking for workers for a road maintenance project in Monroe.

He said he inquired and was e-mailed back with instructions to meet near the Bank of America in Monroe at 11 a.m. Tuesday. He also was told to wear certain work clothing.

"Yellow vest, safety goggles, a respirator mask… and, if possible, a blue shirt," he said.

Mike showed up along with about a dozen other men dressed like him, but there was no contractor and no road work to be done. He thought they had been stood up until he heard about the bank robbery and the suspect who wore the same attire.

Rephotographing Atget

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Christopher Rauschenberg writes:

Eugene Atget documented Paris from 1888 until his death in 1927. Like many people, I consider him to have been the greatest photographer of all time. Atget straightforwardly documented the city with photographs that give you the feeling that all the transitory things that people do and are have washed away, leaving only their transcendent accomplishments.

On a 1989 trip to Paris, I suddenly found myself face to face with a spiral-topped gatepost that I knew very well from a beautiful photograph by Atget (the photograph on the left). I rephotographed his gatepost from memory (the photograph on the right) and wondered how many other Atget subjects might still be holding their poses.

There, among the things and places that Atget had admired, I resolved to return and do a rephotographic exploration to discover if the haunting and beautiful Paris of Atget’s vision still existed. (lensculture.com)

A selected archive of Atget’s photographs is hosted at George Eastman House.

Strategic Questions #2

strategic

The Strategic Questions series published by Book Works is "…an ongoing project to develop forty projects related to forty questions written by R. Buckminster Fuller. Each project is an artwork or a combination of artworks, developed in response to one of the questions."

Fuller’s forty questions, from Utopia or Oblivion (which is my new favorite book title, btw):

1. What do we mean by universe?
2. Has man a function in universe?
3. What is thinking?
4. What are experiences?
5. What are experiments?
6. What is subjective?
7. What is objective?
8. What is apprehension?
9. What is comprehension?
10. What is positive? Why?
11. What is negative? Why?
12. What is physical?
13. What is metaphysical?
14. What is synergy?
15. What is energy?
16. What is brain?
17. What is intellect?
18. What is science?
19. What is a system?
20. What is consciousness?
21. What is subconsciousness?
22. What is teleology?
23. What is automation?
24. What is a tool?
25. What is industry?
26. What is animate?
27. What is inanimate?
28. What are metabolics?
29. What is wealth?
30. What is intuition?
31. What are aesthetics?
32. What is harmonic?
33. What is prosaic?
34. What are the senses?
35. What are mathematics?
36. What is structure?
37. What is differentiation?
38. What is integration?
39. What is integrity?
40. What is "truth? "

Fuller: "It is my working assumption that the following 40 questions must be definitely answered before we may realistically discuss our respective philosophies and grand strategies."

The Most Ridiculous City in the World

Geoff at bldgblog articulates what makes living in Los Angeles so confounding, liberating and existentially raw:

Los Angeles is where you confront the objective fact that you mean nothing; the desert, the ocean, the tectonic plates, the clear skies, the sun itself, the Hollywood Walk of Fame – even the parking lots: everything there somehow precedes you, even new construction sites, and it’s bigger than you and more abstract than you and indifferent to you. You don’t matter. You’re free. (bldgblog)

Hat tip: E.G.

More/tangent: Mike Davis, Ecology of Fear