# Nov 30, 2015

“To speak about the performative in relation to art is not about defining a new class of artworks. Rather, it involves outlining a specific level of the production of meaning that basically exists in every artwork, although it is not always consciously shaped or dealt with, namely, its reality-producing dimension. In this sense, a specific methodological orientation goes along with the performative, creating a different perspective on what produces meaning in an artwork. What the notion of the performative brings into perspective is the contingent and elusive realm of impact and effect that art brings about both situationally—that is, in a given spatial and discursive context—and relationally, that is, in relation to a viewer or a public. It recognizes the productive, reality-producing dimension of artworks and brings them into the discourse. Consequently we can ask: What kind of situation does an artwork produce? How does it situate its viewers? What kind of values, conventions, ideologies, and meanings are inscribed into this situation?”

Dorothea von Hantelmann, The Experiential Turn