“[C]inema replaced all other modes of narration with sequential narrative, an assembly line of shots…”

“[C]inema replaced all other modes of narration with sequential narrative, an assembly line of shots that appear on the screen one at a time. For centuries, a spatialized narrative in which all images appear simultaneously dominated European visual culture; in the twentieth century it was relegated to ‘minor’ cultural forms such as comics or technical illustrations. ‘Real’ culture of the twentieth century came to speak in linear chains, aligning itself with the assembly line of the industrial society […]. New media continue this mode, giving the user information one screen at a time. At least this is the case when it tries to become ‘real’ culture (interactive narratives, games); when it simply functions as an interface to information, it is not ashamed to present much more information on the screen at once, whether in the form of tables, normal or pull-down menus, or lists.” (232)

-Lev Manovich, The Language of New Media

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